Analyzing the Content of 2D Visual Art

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CLEP Humanities › Analyzing the Content of 2D Visual Art

Questions 1 - 10
1

Which of the following was NOT an influence on Pablo Picasso's Les Demoiselles d'Avignon?

Realism

African masks

Tribal art

Paul Cézanne's The Bathers

Primitivism

Explanation

Picasso's 1907 painting Les Demoiselles d'Avignon is largely considered one of the first cubist paintings. As such, Picasso broke with traditional forms of representation, but did so by including many different influences, particularly impressionists like Paul Cézanne and trends toward a primitivism in art. Picasso also began creating the piece after seeing an exhibition on tribal art that included African masks like those portrayed in the painting.

2

Which of the following was NOT an influence on Pablo Picasso's Les Demoiselles d'Avignon?

Realism

African masks

Tribal art

Paul Cézanne's The Bathers

Primitivism

Explanation

Picasso's 1907 painting Les Demoiselles d'Avignon is largely considered one of the first cubist paintings. As such, Picasso broke with traditional forms of representation, but did so by including many different influences, particularly impressionists like Paul Cézanne and trends toward a primitivism in art. Picasso also began creating the piece after seeing an exhibition on tribal art that included African masks like those portrayed in the painting.

3

Who was the twentieth century American painter known for his works depicting the American Midwest?

Thomas Hart Benton

Jasper Johns

Ansel Adams

Alfred Stieglitz

Jackson Pollack

Explanation

Regionalism was an art movement that sprung up after World War I in America that sought to paint naturalistic scenes of regional America. Foremost among the Regionalists was Thomas Hart Benton, who was inspired by politically conscious muralists like Diego Rivera to make large-scale works about his native Midwest. Benton's work often had political overtones that supported left-wing positions, and he was influential as an art teacher.

4

Who was the twentieth century American painter known for his works depicting the American Midwest?

Thomas Hart Benton

Jasper Johns

Ansel Adams

Alfred Stieglitz

Jackson Pollack

Explanation

Regionalism was an art movement that sprung up after World War I in America that sought to paint naturalistic scenes of regional America. Foremost among the Regionalists was Thomas Hart Benton, who was inspired by politically conscious muralists like Diego Rivera to make large-scale works about his native Midwest. Benton's work often had political overtones that supported left-wing positions, and he was influential as an art teacher.

5

The American painter most well-known for creating extreme closeups of flowers is                     .

Georgia O'Keefe

Frida Kahlo

Alfred Stieglitz

Diane Arbus

Mary Cassatt

Explanation

Georgia O'Keefe developed a unique, instantly recognizable style that focused on flowers presented in vivid colors in an extreme close-up perspective. This style grew out of Modernism and its use of bright color and different perspective. O'Keefe proved influential in her ability to capture nature and natural images in paintings in a striking manner.

6

The American painter most well-known for creating extreme closeups of flowers is                     .

Georgia O'Keefe

Frida Kahlo

Alfred Stieglitz

Diane Arbus

Mary Cassatt

Explanation

Georgia O'Keefe developed a unique, instantly recognizable style that focused on flowers presented in vivid colors in an extreme close-up perspective. This style grew out of Modernism and its use of bright color and different perspective. O'Keefe proved influential in her ability to capture nature and natural images in paintings in a striking manner.

7

Markers of the artistic style of the Dutch painter Rembrandt van Rijn (1606-1669) include all of the following EXCEPT                     .

large-form landscapes

portraits of individuals

dramatic use of lighting

the insertion of himself into his group paintings

a use of very rich and dark colors

Explanation

Rembrandt van Rijn was one of the great masters of the Dutch Golden Age of painting during the seventeenth century. His style was notable for featuring bold colors and dramatic lighting in "everyday scenes" of commonfolk, as well as portraits and scenes out of the Bible. Almost all of Rembrandt's paintings featured people, and he almost never drew landscapes.

8

Markers of the artistic style of the Dutch painter Rembrandt van Rijn (1606-1669) include all of the following EXCEPT                     .

large-form landscapes

portraits of individuals

dramatic use of lighting

the insertion of himself into his group paintings

a use of very rich and dark colors

Explanation

Rembrandt van Rijn was one of the great masters of the Dutch Golden Age of painting during the seventeenth century. His style was notable for featuring bold colors and dramatic lighting in "everyday scenes" of commonfolk, as well as portraits and scenes out of the Bible. Almost all of Rembrandt's paintings featured people, and he almost never drew landscapes.

9

Which of the following artistic styles was most likely to feature Christian iconography?

Gothic art

Greek art

Roman art

Renaissance art

Impressionist art

Explanation

While Christian iconography and themes feature as the most common subjects in Western art, certain periods were more heavily indebted to Christian tradition. During the period of Gothic art, which was roughly synonymous with the twelfth, thirteenth, and fourteenth centuries in Europe, Christian themes were almost the only ones used. Even in royal portraits, such as the Wilton Diptych from England, featured saints and angels next to the King.

10

Which of the following artistic styles was most likely to feature Christian iconography?

Gothic art

Greek art

Roman art

Renaissance art

Impressionist art

Explanation

While Christian iconography and themes feature as the most common subjects in Western art, certain periods were more heavily indebted to Christian tradition. During the period of Gothic art, which was roughly synonymous with the twelfth, thirteenth, and fourteenth centuries in Europe, Christian themes were almost the only ones used. Even in royal portraits, such as the Wilton Diptych from England, featured saints and angels next to the King.

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