SAT Critical Reading › SAT Critical Reading
Choose the word or set of words that best completes the following sentence.
Sally __________ when she saw the __________ height restriction for the roller coaster she had wanted to ride because she assumed that she was not tall enough to ride; while no one under five feet tall could ride with no exceptions, she was luckily exactly that height.
despaired . . . compulsory
saddened . . . encouraged
celebrated . . . mandatory
participated . . . overturned
forgot . . . jubilant
For the first blank, we need to pick out a word that means something like grew sad, because we know that Sally wanted to ride the roller coaster and assumed she could not because of the height restriction. Either "despaired" (gave up) or "saddened" (grew sad) could be correct. For the second blank, since we know that there no were exceptions to the height rule, either "compulsory" (obligatory) or "mandatory" (compulsory) could be correct. Of the possible words that we've identified as potentially correct for each blank, only "despaired" and "compulsory" appear in the same answer choice, so the correct answer is "despaired . . . compulsory."
Adapted from "Slang in America" in Vol. 141, No. 348 of The North American Review by Walt Whitman (November 1885)
View'd freely, the English language is the accretion and growth of every dialect, people, and range of time, and is both the free and compacted composition of all. From this point of view, it stands for Language in the largest sense, and is really the greatest of studies. It involves so much; is indeed a sort of universal absorber, combiner, and conqueror. The scope of its etymologies is the scope not only of man and civilization, but the history of Nature in all departments, and of the organic Universe, brought up to date; for all are comprehended in words, and their backgrounds. This is when words become vitalized, and stand for things, as they unerringly and soon come to do, in the mind that enters on their study with fitting spirit, grasp, and appreciation.
Slang, profoundly consider’d, is the lawless germinal element, below all words and sentences, and behind all poetry, and proves a certain perennial rankness and protestantism in speech. As the United States inherit by far their most precious possession—the language they talk and write—from the Old World, under and out of its feudal institutes, I will allow myself to borrow a simile even of those forms farthest removed from American Democracy. Considering Language then as some mighty potentate, into the majestic audience-hall of the monarch ever enters a personage like one of Shakespeare’s clowns, and takes position there, and plays a part even in the stateliest ceremonies. Such is Slang, or indirection, an attempt of common humanity to escape from bald literalism, and express itself illimitably, which in highest walks produces poets and poems, and doubtless in prehistoric times gave the start to, and perfected, the whole immense tangle of the old mythologies. For, curious as it may appear, it is strictly the same impulse-source, the same thing. Slang, too, is the wholesome fermentation or eructation of those processes eternally active in language, by which froth and specks are thrown up, mostly to pass away, though occasionally to settle and permanently crystallize.
The word "etymologies" as Whitman uses it here most likely means __________.
origins
conclusions
effects
meanings
Whitman uses the word to mean "origins" here, which makes sense because in the sentence in which "etymologies" appears, Whitman is claiming that the entire universe can be understood using the language and thus its origins are within the entire universe.
Adapted from Middlemarch: A Study of Provincial Life by George Eliot (1874)
Dorothea trembled while she read this letter; then she fell on her knees, buried her face, and sobbed. She could not pray; under the rush of solemn emotion in which thoughts became vague and images floated uncertainly, she could but cast herself, with a childlike sense of reclining, in the lap of a divine consciousness which sustained her own. She remained in that attitude till it was time to dress for dinner.
How could it occur to her to examine the letter, to look at it critically as a profession of love? Her whole soul was possessed by the fact that a fuller life was opening before her: she was a neophyte about to enter on a higher grade of initiation. She was going to have room for the energies which stirred uneasily under the dimness and pressure of her own ignorance and the petty peremptoriness of the world’s habits.
Now she would be able to devote herself to large yet definite duties; now she would be allowed to live continually in the light of a mind that she could reverence. This hope was not unmixed with the glow of proud delight—the joyous maiden surprise that she was chosen by the man whom her admiration had chosen. All Dorothea’s passion was transfused through a mind struggling towards an ideal life; the radiance of her transfigured girlhood fell on the first object that came within its level. The impetus with which inclination became resolution was heightened by those little events of the day which had roused her discontent with the actual conditions of her life.
The third paragraph suggests that the letter Dorothea has received contains __________.
an invitation to study under a renowned scholar
confirmation of acceptance into an elite group
a passionate plea from a lover to wait for his return
a marriage proposal
the promise of a trip to an idyllic pasture
Context clues include Dorothea’s “proud delight” that her suitor returns her feelings and that she looks forward to living with “a mind that she could reverence.” This last quotation disproves the claims of "the passionate plea of a lover to wait for his return"; only in marriage would we expect Dorothea to live with the letter-writer. Furthermore, there is no mention of the letter-writer’s absence.
Excerpted from The Picture of Dorian Gray by Oscar Wilde (1890)
Hallward got up from the seat and walked up and down the garden. After some time he came back. "Harry," he said, "Dorian Gray is to me simply a motive in art. You might see nothing in him. I see everything in him. He is never more present in my work than when no image of him is there. He is a suggestion, as I have said, of a new manner. I find him in the curves of certain lines, in the loveliness and subtleties of certain colours. That is all."
"Then why won't you exhibit his portrait?" asked Lord Henry.
"Because, without intending it, I have put into it some expression of all this curious artistic idolatry, of which, of course, I have never cared to speak to him. He knows nothing about it. He shall never know anything about it. But the world might guess it, and I will not bare my soul to their shallow prying eyes. My heart shall never be put under their microscope. There is too much of myself in the thing, Harry—too much of myself!"
"Poets are not so scrupulous as you are. They know how useful passion is for publication. Nowadays a broken heart will run to many editions."
"I hate them for it," cried Hallward. "An artist should create beautiful things, but should put nothing of his own life into them. We live in an age when men treat art as if it were meant to be a form of autobiography. We have lost the abstract sense of beauty. Some day I will show the world what it is; and for that reason the world shall never see my portrait of Dorian Gray."
"I think you are wrong, Basil, but I won't argue with you. It is only the intellectually lost who ever argue. Tell me, is Dorian Gray very fond of you?"
The painter considered for a few moments. "He likes me," he answered after a pause; "I know he likes me. Of course I flatter him dreadfully. I find a strange pleasure in saying things to him that I know I shall be sorry for having said. As a rule, he is charming to me, and we sit in the studio and talk of a thousand things. Now and then, however, he is horribly thoughtless, and seems to take a real delight in giving me pain. Then I feel, Harry, that I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day."
From the information in the passage, what is Dorian Gray's profession?
None of the other answers
A writer
An artist
A doctor
A dilettante
There is no reason to believe that Dorian Gray has any particular profession from the passage above; you may think he has no job, but it isn’t possible to be sure.
Adapted from The Wealth of Nations by Adam Smith (1776)
The greatest improvements in the productive powers of labor, and the greater part of the skill, dexterity, and judgment with which it is anywhere directed or applied, seem to have been the effects of the division of labor. The effects of the division of labor, in the general business of society, will be more easily understood by considering in what manner it operates in some particular manufactures. It is commonly supposed to be carried furthest in some very trifling ones; not perhaps that it really is carried further in them than in others of more importance, but in those trifling manufactures that are destined to supply the small wants of but a small number of people, the whole number of workmen must necessarily be small; and those employed in every different branch of the work can often be collected into the same workhouse, and placed at once under the view of the spectator.
In those great manufactures, on the contrary, which are destined to supply the great wants of the great body of the people, every different branch of the work employs so great a number of workmen that it is impossible to collect them all into the same workhouse. We can seldom see more, at one time, than those employed in one single branch. Though in such manufactures, therefore, the work may really be divided into a much greater number of parts, than in those of a more trifling nature, the division is not near so obvious, and has accordingly been much less observed.
To take an example, therefore, from a very trifling manufacture, but one in which the division of labor has been very often taken notice of: the trade of a pin-maker. A workman not educated to this business (which the division of labor has rendered a distinct trade), nor acquainted with the use of the machinery employed in it (to the invention of which the same division of labor has probably given occasion), could scarce, perhaps, with his utmost industry, make one pin in a day, and certainly could not make twenty. But in the way in which this business is now carried on, not only the whole work is a peculiar trade, but it is divided into a number of branches, of which the greater part are likewise peculiar trades. One man draws out the wire; another straights it; a third cuts it; a fourth points it; a fifth grinds it at the top for receiving the head; to make the head requires two or three distinct operations; to put it on is a peculiar business; to whiten the pins is another; it is even a trade by itself to put them into the paper; and the important business of making a pin is, in this manner, divided into about eighteen distinct operations, which, in some manufactories, are all performed by distinct hands, though in others the same man will sometimes perform two or three of them.
In every other art and manufacture, the effects of the division of labour are similar to what they are in this very trifling one; though, in many of them, the labour can neither be so much subdivided, nor reduced to so great a simplicity of operation. The division of labour, however, so far as it can be introduced, occasions, in every art, a proportionable increase of the productive powers of labour. The separation of different trades and employments from one another, seems to have taken place, in consequence of this advantage.
In which of the following sentences does the author directly state why he discusses pin-making as an example of the division of labor in the third paragraph?
“The effects of the division of labor, in the general business of society, will be more easily understood by considering in what manner it operates in some particular manufactures.”
“In those great manufactures, on the contrary . . . every different branch of the work employs so great a number of workmen that it is impossible to collect them all into the same workhouse.”
“The greatest improvements in the productive powers of labor, and the greater part of the skill, dexterity, and judgment with which it is anywhere directed or applied, seem to have been the effects of the division of labor.”
“It is commonly supposed to be carried furthest in some very trifling ones; not perhaps that it really is carried further in them than in others of more importance, but in those trifling manufactures . . . those employed in every different branch of the work can often be collected into the same workhouse, and placed at once under the view of the spectator.”
This question is asking you to pick out a quotation in which the author is justifying part of his method: the presentation of a specific example in paragraph three. While many of the answer choices may be read as setting up the pin-making example, only in one of the answer choices does the author state why he will be bringing up an example: “The effects of the division of labor, in the general business of society, will be more easily understood by considering in what manner it operates in some particular manufactures.” Loosely paraphrased, the author is here saying that it is easier to understand the division of labor when considering how it works in some specific example industries. He then goes on to present pin-making as just such an example industry in paragraph three.
The story was published __________, so Wallace knew that contacting the author would be a challenging task, as no one knew who he or she was.
anonymously
anomalously
copiously
evanescently
credulously
Since no one knows who wrote the story, we're looking for an adverb that describes something done in a way so as to have one's identity remain secret. While "anomalously" and "anonymously" sound extremely similar, they have very different meanings: "anomalously" means "done in a way that deviates from expectations or norms" and "anonymously" means "done in a way that does not identify someone by name." So, "anonymously" is the best answer choice.
Jason's professor liked his creative writing piece, but thought that it was too full of __________ sayings like "the early bird gets the worm" that detracted from the work because of how overused the sayings were.
trite
authentic
novel
pardonable
necessary
We can infer that because Jason's creative writing piece was full of overused sayings, we need to pick out a word that means something like "overused" to describe those sayings. Neither "authentic" nor "novel" will do, because each of those words is an antonym to "overused." "Trite" is an adjective that is used of a remark, opinion, or idea and means "overused and consequently of little import; lacking originality or freshness," and because it is the answer choice that best suits the sentence's context, "trite" is the correct answer.
Adapted from “Birds in Retreat” in “Animal Defences—Active Defence” in Volume Four of The Natural History of Animals: The Animal Life of the World in Its Various Aspects and Relations by James Richard Ainsworth Davis (1903)
Among the large running birds are forms, like the African ostrich, in which the absence of powers of flight is largely compensated by the specialization of the legs for the purpose of rapid movement on the ground. For straightforward retreat in open country nothing could be more effective; but another kind of adaptation is required in birds like rails, which are deficient in powers of flight, and yet are able to run through thickly-growing vegetation with such rapidity as to commonly elude their enemies. This is rendered possible by the shape of their bodies, which are relatively narrow and flattened from side to side, so as to easily slip between the stems of grasses, rushes, and similar plants. Anyone who has pursued our native land-rail or corn-crake with intent to capture will have noted how extremely difficult it is even to get within sight of a bird of this sort.
Certain birds, unfortunately for themselves, have lost the power of flight without correspondingly increased powers of running, and have paid the penalty of extinction. Such an arrangement, as might be anticipated, was the result of evolution in islands devoid of any predatory ground-animals, and a classic example of it is afforded by the dodo and its allies, birds related to the pigeons. The dodo itself was a large and clumsy-looking species that at one time abounded in the island of Mauritius, which, like oceanic islands generally, possessed no native mammals, while its indigenous reptiles were only represented by lizards. The ubiquitous sailor, however, and the animals (especially swine) which he introduced, brought about the extinction of this helpless bird in less than a century after its first discovery in 1598. Its memory is now only kept green by a few contemporary drawings and descriptions, certain museum remains, and the proverb "as extinct as a dodo.” A similar fate must overtake any organism suddenly exposed to new and unfavorable conditions, if devoid of sufficient plasticity to rapidly accommodate itself to the altered environment.
The purpose of the underlined sentence is __________.
to provide an example likely familiar to readers of how effective a running bird’s defenses can be
to introduce a discussion of the land-rail and corn-crake
to make himself feel better about having never been able to catch a land-rail or corn-crake
to explain how other types of running birds differ from the African ostrich
to suggest that more people hunt land-rails and corn-crakes
The underlined sentence appears at the end of the first paragraph and reads, “Anyone who has pursued our native land-rail or corn-crake with intent to capture will have noted how extremely difficult it is even to get within sight of a bird of this sort.”
This is the only sentence in the passage that mentions the land-rail and corn-crake, so “to introduce a discussion of the land-rail and corn-crake” cannot be the correct answer. The author doesn’t tell us that he himself has pursued a land-rail or corn-crake, and while one might infer this, he doesn’t say anything about having failed to catch one, so “to make himself feel better about having never been able to catch a land-rail or corn-crake” doesn’t seem to be the correct answer either. The answer choice “to suggest that more people hunt land-rails and corn-crakes “ cannot be correct, as the author isn’t urging the reader to do anything in this sentence; it is simply conveying information.
This leaves us with two answer choices: “to explain how other types of running birds differ from the African ostrich” and “to provide an example likely familiar to readers of how effective a running bird’s defenses can be.” While the first of these answer choices may seem correct at first glance, the author isn’t actually mentioning the land-rail and corn-crake to explain how other types of running birds differ from the African ostrich. He does this in a previous sentence. It is more accurate to say that the underlined sentence **“**provide\[s\] an example likely familiar to readers of how effective a running bird’s defenses can be.”
Adapted from Luxuries by George Ade (1922)
Right here, and nowhere else, except in two or three other new countries, poor people get in on the luxuries. Do you know of any one past the age of eight who never rode in a motor car? Countless millions in Europe regard the automobile as a rich man's luxury. It is a symbol of splendor which chases them off the roadways. They never dream of becoming acquainted with anything so huge and important.
The farmer in France or Italy or Germany has no telephone in his house. Meat on the table means a family feast. The movie to him is a holiday treat and ice cream is a semi-annual jamboree. The daughter has never rocked around on high heels or hit herself in the nose with a powder rag. The son has never worn a snappy suit with the belt surrounding the lungs instead of the digestive organs.
Most of the human beings outside of this hemisphere line up as paupers. Invoice their holdings and you will find that the assets, per person, run up to about $8.75. The ordinary man we pass in the street carries probably $75 worth of merchandise. The guess is low rather than high, because we have to take into account a suit of clothes, a hat, a pair of shoes, various undergarments, buttons made of a precious metal, and possibly some expensive fillings in the teeth. If he had been born in Egypt or Ceylon or Burma or China or Japan or Africa he would be wearing clothes worth $1.80 and be thankful for them.
About sixty-five per cent of all the people in the world think they are getting along great when they are not starving to death. In these days of recession, when so many of us are curled up in mental anguish because we cannot frivolously spend money as we did in 1919, it may help if we reflect that, at least, each of us has a mattress at night, meals as usual, books to read, and some sort of entertainment in the next block.
What is the primary purpose of this passage?
To give perspective
To predict an outcome
To refute an argument
To establish an experiment
To celebrate a stituation
The primary purpose of this passage is to impart perspective upon the author’s audience. This is made clear throughout the passage, as the author compares the skewed understanding of luxury among contemporary Americans, with the more realistic perspective of most of the rest of the world. It is also evident in the conclusion where the author urges his readership to be more thoughtful about the privileges and luxuries that exist in their life.
"Poetry and Philosophy" by Justin Bailey
As the logical positivism rose to ascendancy, poetic language was increasingly seen as merely emotive. Wittgenstein’s influential Tractatus argued that only language corresponding to observable states of affairs in the world was meaningful, thus ruling out the value of imaginative language in saying anything about the world. Poetry’s contribution was rather that it showed what could not be said, a layer of reality which Wittgenstein called the “mystical.” Despite Wittgenstein’s interest in the mystical value of poetry, his successors abandoned the mystical as a meaningful category, exiling poetry in a sort of no man’s land where its only power to move came through the empathy of shared feeling.
Yet some thinkers, like Martin Heidegger, reacted strongly to the pretensions of an instrumental theory of knowledge to make sense of the world. Heidegger, Hans-Georg Gadamer and Paul Ricoeur all gave central value to poetry in their philosophical method; signifying a growing sense among continental thinkers that poetic knowing was an important key to recovering some vital way of talking about and experiencing the world that had been lost.
The author is primarily concerned with __________.
describing the mainstream marginalization of poetry among philosophers of a certain period before noting significant exceptions
arguing that given the current trajectory of philosophy, poetry will soon no longer be studied in mainstream society
enumerating the reasons why Wittgenstein and his successors were misguided in their philosophical approach
explaining various theories of why poetic language has the power to move the human spirit
exploring the contribution of philosophy to discussions of poetic method and appreciation
The first paragraph states the main argument, which can be gleaned from the first and last sentence of the paragraph. The second paragraph introduces a contrast with the word "yet" and then proceeds to enumerate three examples of philosophers who made poetry a part of their philosophical method.