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The Law School Admission Test is the preliminary requirement ahead of getting into law school in North America, as well as a few other countries. The test is designed to evaluate your abilities based on three types of questions: reasoning logically and analytically, and reading comprehension skills. There are five total sections with multiple-choice questions that evaluate your abilities based on those critical concepts. You are given complex, dense, and intricate passages that you need to be able to understand, and use for or against an argument. Lawyers need to be able to make sense of these complicated texts, particularly when they are helping a client comprehend the jargon. Whether you need top LSAT tutors in New York, LSAT tutors in Chicago, or top LSAT tutors in Los Angeles, working with a pro may take your studies to the next level. Varsity Tutors’ Learning Tools also offer you a variety of materials to use to prepare for the LSAT Reading section. You can get free test practice daily through the Question of the Day alone.
The questions you may be asked throughout the LSAT Reading section typically focus heavily on how newly introduced evidence and information can impact the argument at hand. These questions take skill to trace out the author’s claims and what implications they have, along with what is presented as the basis for the information. You may need to predict the author’s stance on a topic, or determine the purpose behind a passage. Varsity Tutors also offers resources like free LSAT Reading Practice Tests to help with your self-paced study, or you may want to consider an LSAT Reading tutor.
When you use the Question of the Day, you are given a variety of questions that come straight from the LSAT Reading practice tests. These cover a wide range of concepts. You need to be able to analyze comparisons between reading passages, effects of new information on previously read content, and extrapolate conclusions from these comparisons. You will need to be able to analyze humanities passages, such as main ideas, details, phrasing and vocabulary based on context, authorial tones and attitudes, organization and structures, identifying purpose, new information that strengthens, weakens or otherwise effects arguments, parallel reasoning, inferences based on information, and analogous cases. You may be given law-oriented questions, such as analyzing law passages for main idea, details, vocabulary comprehension, tone and attitude, purpose, structure, and organization, as well as information that affects passages, drawing inferences, parallel reasoning, and analogous cases. You will also work with science and social science passages. In addition to the LSAT Reading Question of the Day and LSAT Reading tutoring, you may also want to consider using some of our LSAT Reading Flashcards.
To maximize your performance on the LSAT Reading section, you need to take the time to diligently prepare for it by taking advantage of free LSAT Reading practice. You can effectively practice your skills to ensure they are fine tuned for the test. There are numerous Learning Tools to choose from that are designed to supplement your studies, refresh your mind, and provide valuable study aid. The Question of the Day offers you daily practice for the test. You can also take full-length practice tests to evaluate your progress, preparation, and weak points. These can be great for identifying the concepts that you need to work with the most. Then you can use the Learn by Concept tool to delve deeper into those concepts.
With Varsity Tutors’ Learning Tools, you can work with concepts on a deeper level. Whether you use the practice tests, Learn by Concept, Question of the Day, or all of them, you can get valuable practice before you take the LSAT.
Question of the Day: LSAT Reading
"Perspective" by William Floyd (2015)
In the visual arts, “perspective” describes creating a two-dimensional image which has the illusion of depth and shading to make it appear like a three-dimensional image. The ability to paint with perspective was a Renaissance idea, when painters such as Jan van Eyck and Leonardo da Vinci created scenes which had a revolutionary look, particularly as compared to the notably flat medieval paintings of earlier artists. These reflected life in a way that it was thought painting could never hope to achieve. The question that obviously arises from this revolution in painting is why the artists of the middle ages felt so comfortable with their lack of such perspective.
The fifteenth century Italian painter and Dominican friar born Guido Pietri was dubbed Fra Beato Angleico, which in English is “the Blessed Angelic Friar,” for the way he captured the imagination of his contemporaries. While he painted less than a century before da Vinci, Fra Angelico appears to belong to a different tradition entirely, with a completely different aesthetic sense. His portraits are oddly formal, while his crowd scenes are so busy as to be overwhelming. To look at his “Annunciation of the Virgin” or “Last Judgement” is to see a painting which is almost too flat and busy, necessitating a careful look at each element, moving across the painting, rather than being able to take in the entire scene of the painting at once.
Which might be the actual expectation of a medieval painter. Any scene with a dozen saints has such precision in the portrayal of each saint, who has to be recognizable to every worshipful person viewing it, that it requires an up close view of every single element. Additionally, the subject matter is presented in such a way as to make the viewer move from left to right. This essentially means that a medieval viewer “read” a painting as much as they viewed it. Each element was a self-contained piece which needed to be viewed in a specific order. Rather than conveying one scene, the painting was actually more of a storytelling device. Naturally, the time of perspective was also the time the printing press brought widespread literacy to Europe. With more people being able to read a text, a painting had less need to function as a text itself, making a revolution in painting a necessity for the genre.
As it is used in the final paragraph, it can be inferred that the "printing press" __________.
was invented to assist in creating religious works of art
was a device which made reading material more easily attainable
had no effect on painting in Western Europe
was not appreciated by the religious authorities of the Renaissance
taught the lives of the saints in a way formerly occupied by paintings
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